Los Angeles, Calif., October 19, 2016 — Though
producer, DJ, and multi-instrumentalist Zedd only began producing
electronic music in 2009, his music quickly became a defining sound of
contemporary electronic pop thanks to megahits likes 2012’s “Clarity”
and 2015’s “I Want You to Know.” Having long used
Antelope Audio
clocking and conversion in his work, Zedd and his engineer had no
trouble deciding on the powerful and versatile Orion Studio when they
decamped their operation to Zedd’s home. Since the studio’s completion,
Antelope Audio’s single-rack-space USB+Thunderbolt interface has
delivered everything Zedd needs to continue crafting the synth-heavy pop
masterpieces for which he is renowned.
A Home Studio That’s Out of This World

The
decision to build a home studio was triggered by an interruption at
Zedd’s previous base of operations. “Our studio at Interscope was being
renovated, so after bouncing around to different studios for a while we
ended up building a brand new studio at Zedd’s house,” says Zedd’s
engineer Ryan Shanahan. “We had been using the original Antelope Audio
Orion since the second half of the production of Clarity and we used it
for all of True Colors, so stepping into an Orion Studio was a no
brainer.” Zedd and Shanahan envisioned the new studio as a space that
would be ready to go as a creative workstation at all times. That meant
taking advantage of the full 12 inputs offered on the Orion Studio. “His
main keyboards are patched right into the 8 inputs on the back,”
Shanahan explains. “We have one of the front inputs set up with a vocal
chain and we leave the other 3 open to patch in anything else that Zedd
might want to use.”
Clear as the Night Sky

The
Orion Studio’s 12 preamps give Shanahan the exact sound he wants for
capturing the high-fidelity sheen of Zedd’s keys. “The preamps are
extremely clean and transparent, which is great for any source,
especially the keyboards which constitute the bulk of our tracking,” he
says. “I have digital emulations that I can always use with guitars or
anything like that if I decide I want to add coloration later. I’m happy
getting the cleanest possible signal when recording.” The high-quality
monitor outputs also provide the perfect signal path to Zedd’s monitor
controller.