The Pink Floyd Exhibition: Their Mortal Remains, the
critically acclaimed major retrospective of Pink Floyd, one of the
world’s most pioneering and influential bands, today announced, via a
press conference with Pink Floyd founding member Nick Mason, that it
will be opening at Rome’s Museo d'Arte Contemporanea di Roma (MACRO) on 19 January 2018.
This will be the first exhibition to take place at the museum under its
new management, Palaexpo. Following its highly-successful debut at
London’s Victoria and Albert Museum earlier this year, which saw over
400,000 people tear down the wall, the exhibition moves to Rome as its
first international destination on the global landscape. The exhibition
continues the first collaboration in decades of Pink Floyd’s remaining
members and is produced and promoted globally by Michael Cohl of Concert
Productions International B.V. The Rome exhibition is produced in
association with MondoMostre and Live Nation. Tickets are on sale today
via Vivaticket.it, all Vivaticket outlet locations and by phone on +39.041.2719035.
Originally conceived by Storm Thorgerson and developed by Aubrey ‘Po’
Powell of Hipgnosis, working closely with Nick Mason (Exhibition
Consultant for Pink Floyd), The Pink Floyd Exhibition: Their Mortal Remains features
many previously unseen objects collected over the band’s eclectic
history. It is an audio-visual journey through 50 years of one of the
world’s most iconic rock groups, and a rare and exclusive glimpse into
the world of Pink Floyd.
The exhibition’s phenomenally successful and mammoth run at London’s
Victoria and Albert Museum, described by national British newspapers as “stunning”, “a real feast for the senses” and “almost as good as seeing the band live”,
was the most successful exhibition of its kind. The run at Rome’s MACRO
will be a continuation of this vast success. MACRO is located less than
1km from The Piper Club, which played host to Pink Floyd’s first shows
in Italy in April 1968. The exhibition celebrates Pink Floyd’s place in
history as the world’s cultural landscape changed from the 1960s. The
band occupied a distinctive experimental space and were the foremost
exponents of a psychedelic movement that changed the understanding of
music forever, becoming one of the most important groups in contemporary
music.
Pink Floyd have produced some of the most iconic imagery in popular
culture: from cows, The Dark Side of the Moon prism, pigs flying over
Battersea Power Station, and Marching Hammers to giant inflatable
teachers; their vision brought to life by creative individuals such as
modern surrealist and long-time collaborator Storm Thorgerson, satirical
illustrator Gerald Scarfe and psychedelic lighting pioneer Peter
Wynne-Wilson.
The flow of the exhibition, in chronological order, is enhanced
throughout by music and the voices of past and present members of Pink
Floyd, including Syd Barrett, Roger Waters, Richard Wright, Nick Mason
and David Gilmour, talking about their musical experiences through their
experiences and musical experimentation via sound specialist
Sennheiser’s intuitive GuidePORT system. This culminates in the
Performance Zone, where visitors enter an immersive audio-visual space,
which includes the recreation of the very last performance of all four
members of the band at Live 8 in 2005 with Comfortably Numb, specially
mixed using Sennheiser’s ground-breaking AMBEO 3D audio technology, as
well as a Rome-exclusive video of One Of These Days, taken from the band’s iconic live performance in Pompeii.
Michael Cohl of Concert Productions International B.V. said: “The
fans’ reaction to the exhibition was even better than we expected. It’s
two hours of pure Floyd music, spirit and excitement.”
The Pink Floyd Exhibition is presented by Michael Cohl of Concert
Productions International B.V., Mondo Mostre, and Live Nation. The
exhibition is led by Pink Floyd’s creative director Aubrey ‘Po’ Powell
(of the design partnership Hipgnosis) and Paula Webb Stainton, who
worked closely with the Pink Floyd members including Nick Mason
(Exhibition Consultant For Pink Floyd), with additional curation
provided by the V&A’s Victoria Broackes. The exhibition is a
collaboration with designers Stufish, the leading entertainment
architects and the band’s long-serving stage collaborators, and
interpretive exhibition designers Real Studios.
The Pink Floyd Exhibition: Their Mortal Remains opens in Rome on 19 January 2018. Tickets are available now.
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Thursday, November 30, 2017
NKRIOT: Amoeba Holographic Performance Recap
NKRIOT performed on the Ameba Hollywood Stage November 9th utilizing his new holographic visuals. Observe the video recap:
Ilumina Is The Most Recent Art Installation To Take The Burning Man World By Storm
At Burning Man this year, an interactive art installation by the name of Ilumina took on the playa for the first time and provided an unforgettable experience to anyone who participated. Conceived by Mayan Warrior and Sr. Pago founder Pablo Gonzalez Vargas, the 37-foot tall creation illuminated the Nevada desert and attracted visitors who were drawn to its majestic glow.
The true experience of Ilumina though extended well beyond just a visual experience to gaze upon. With Ilumina, guests are invited to take part in an immersive three-minute long meditation and flow exercise that ushers them into a state of coherence and deep harmony with themselves, fellow participants, and the universe through a proprietary merger of modern technology and ancient design wisdom.
To start, biometric sensors are connected to the earlobes of each participant, which measures their unique state of coherence and averages them together. Ilumina’s dazzling lighting design and moving soundscapes respond to this unique algorithm. As the group becomes more coherent, the sculpture glows brighter and the music swells, creating a shared experience for participants.
The design for Ilumina was inspired by an amalgamation of four key concepts. The first is Torus, which can be seen in the flow of electrons within an atom as well as the shape and flow of the greater universe itself. Next is the fibonacci sequence, which is a simple and elegant ratio that binds nearly all design in the living world, from the human body to leaves on a tree.
The third source of inspiration is a cutting-edge tool provided by the HeartMath Institute, which uses biometrics sensors to train oneself on the self regulation of emotional states to achieve coherence. Lastly, there is Metatron’s Cube, which contains all of the geometric shapes in existence and thus embodies the divinity of all potentials. These four concepts come together to create Ilumina.
“Ilumina was inspired by an experience I had using HeartMath Institute’s feedback software where I found myself in a state of flow,” says Ilumina founder Pablo Gonzalez Vargas. “I was inspired to create a piece for Burning Man that took this concept to a larger scale designed around collective coherence while bringing together the elements of flow, mathematics, and the fundamentals of sacred design.”
Artists that worked alongside Pablo to complete Ilumina included HeartMath Expert & Executive Producer Gaby Vargas, lighting design expert Paolo Montiel, who has worked closely on all of James Turrell’s projects in Mexico, highly experienced musician and performer Mendrix, Mexico-City based art studio Cocolab, renowned painter and sculptor Marco Kalach and many more.
This is the second piece the Pablo has brought to Burning Man, with the first being the multi-media arts vehicle Mayan Warrior. Since its debut in 2012, Mayan Warrior has brought musical performances, elaborate lighting designs, and painting by visionary artist Alex Grey. Mayan Warrior continues to be one of the most popular and dazzling experiences on the playa.
Since Burning Man, Ilumina has experienced a spread well beyond those who experienced its inaugural journey with over 500,000 views and counting on videos uploaded to social media. More news to be announced in the near future regarding next steps for Ilumina.
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