Old
Lyme, Conn., October 3, 2016 – Following the release of her UK number
one album, The Hope Six Demolition Project, English singer-songwriter
and multi-instrumentalist PJ Harvey has been out on the road, headlining
some of Europe’s most prestigious music festivals to much critical
acclaim. Her summer touring schedule, along with her 9-strong band of
world-class musicians, has included appearances at the likes of
Glastonbury, London’s Field Day, Primavera Sound, and Rock Werchter to
name but a few. PJ Harvey’s vocal microphone of choice on these shows is
a Sennheiser super-cardioid MD 431.
Harvey’s Front of House engineer is Howard ‘Head’ Bullivant, who has
been working with her since 1990 when he recorded her first demos and
co-produced her debut album Dry. Since then, he has worked as producer,
engineer or mix engineer on five PJ Harvey albums, plus a number of
other live and collaborative albums. He toured as mix engineer on her
first tour in 1992 and has been involved in almost all of her live shows
since 2003. He has been specifying Sennheiser microphones even longer.
“I originally chose the Sennheiser MD 441 for her vocal simply because
it’s a fantastically versatile microphone, great for vocals and just
about everything you choose to point it at,” he says. “Polly [PJ Harvey]
used it on some of the vocal recording on her latest Hope Six
Demolition Project album and in rehearsal, so it was always an option
for the live shows, but in the end, when the whole PJ Harvey production
was set up with nine musicians on stage and 23 monitors, we thought that
the MD 431 had slightly better rejection, and Polly choose it above the
MD 441 to use for the festival shows. This is a show where the
audibility of the vocal is crucial. I constantly recommend the MD 431 to
other engineers. That’s the best I can say…”
Monitor engineer Magali Couturier, who is new to the PJ Harvey team but
has been using Sennheiser microphones since she started working as an
engineer in 1994, comments: “We use the MD 441 as vocal mic because of
the sound and the look of the mic. The filter and boost have very nice
attributes. We also use the MD 431 because, as Head says, it’s easier to
use in loud environments and with her band. And I’m using Sennheiser’s
2000 IEM system because they are the best, with precise sound
reproduction and no drop outs.
“We have had a lot of help getting the right mics for our instruments,
radio equipment, and IEM equipment. I can’t speak highly enough of the
Sennheiser team, they have been extremely helpful and supportive. Our
production is not a usual show.” Directed by renowned British theatre
director Ian Rickson, dressed by Ann Demeulemeester, with lighting by
Adam Silverman and set design by multi-media artist Jeremy Herbert, the
PJ Harvey live show is receiving rave reviews around the world. “We are
pushing the limits of what is possible on stage and have been very happy
with the support we have had.”
“I also switched James Blake onto an MD 431 last year for his festival
shows,” says Head. “I have been working with James since 2012, touring
extensively worldwide since mid-2012, including the whole of his
“Retrograde” album tour. James has a slightly unusual stage set-up
changing between two keyboard positions for different songs. This means
that one of his monitor wedges is pointing at the mic at any one time.
Combined with the dynamic changes of this show – alternating between
extremely intimate quiet songs, to heavy dub-step and electronic dance
tracks – I found the 431 coped very well with this without compromising
vocal quality. Sennheiser e 904 & e 614 are used on the drum kit.”
“Earlier this year I switched Natasha Khan ‘Bat for Lashes’ onto a
Sennheiser e 935 for her live performances, with keyboard player &
backing vocalist Laura Groves also using an e 935. As well as the
vocals, the BFL stage set-up uses 904’s, 604’s and 609’s on guitar amps
and drums. I also used Sennheiser 441, 421 & 906 mics during the
recording sessions of ‘The Bride’, Natasha’s recently Mercury-nominated
album, most of which was mixed at my Ice House Studio in Dorset.”
Image caption
PJ Harvey uses a Sennheiser MD 431 for her festival shows (photo credit: Christie Goodwin)