By
Lavine Linarez
There
is no denying the amount of creativity that is displayed at NAMM
every year. With the prospect of seeing new equipment, innovative
software, advances and breakthroughs by small and big companies, many
covet an entry through the silver and glass doors.
There
was plenty of new and impressive gear. In some cases there were
revamps or a re-launch of some beloved classics. It is clear that
everything is in the attempt to help music artists push the
boundaries of their own creative possibilities.
The
most impressive was the artistry. This year in particular seemed to
have more booths displaying truly stunning pieces of art not just as
gear or equipment. There is no doubt the importance of having
equipment that is technologically efficient in order to create and
produce amazing music. However, there was a simple pleasure in having
a visual representation of how music can look and feel.
It
went far from the usual single color or glittery bodies one might see
in any music store they walk into. There were extraordinary textural
curves to embrace ones hand. It was not uncommon to find people
linger to run their fingers on guitars, stomp boxes or anything else
that could be physically interacted with. 
These
days there is so much in our lives that has become digital
representation of equipment, touch screen or simulated experiences.
Perhaps music artists have developed a pull to more textural
equipment they can feel and see an artistry of someone’s hand
creating it. Tools that are as physically and visually stimulating as
the sounds they are trying to create in music.
Lavine Linarez was given her first
camera at the age of 13 beginning her love of photo and art. She
later graduated from CalArts with a Fine Art and Photography degree.
Now a business owner, she specializes in event photography and
special effects makeup. She is influenced by Joel-Peter Witkin, Anton
Corijn, Skinny Puppy and all things weird.
Instagram: @zanlinez
