When we released the Multi Analyser device for Live 10
we were taken aback with the response that it got, analysing audio
across different tracks had been done before but this device was
designed by Mark Towers as proof of concept of the new API capabilities
of Live 10. Basically it was part of his re-certification to retain that
illustrious title of Ableton Certified Trainer.
With numerous mentions around the internet culminating
in a Free Stuff Friday feature from Ableton themselves it's quickly
become our most downloaded product!
And then in came the feature requests...
One of the first to share on the social channels was Danny J Lewis of the Underground Music Production group on Facebook. His request was simple....
"Can you make the visualiser detachable so i can see
the impact of my tweaking without having to have the track with the
device in it in focus?"
He wasn't the first, nor the last to ask for this
upgrade so Mark has set to work to bring this and further routing
capabilities to the Multi Analyser XL!
With a large floating window that's detachable from
the main device you can now focus on each track and make changes whilst
seeing the results without having to click back to the track that
contains the device!
Additionally you can choose to see the audio represented Pre FX, Post FX & Post Mixer!
See what Danny did as soon as he downloaded it - Instagram
Easy to set up, simple to use and ultimately effective! BUY NOW - MULTI ANALYSER XL
Palindrome is a granular morph plotting sampler geared toward experimental sound design.
The basic concept behind Palindrome is to fuse four granular samplers with a coordinate plotting grid and complex modulation sources in order to facilitate the creation of morphing sound effects and unusual instrument patches.
The plugin’s main grid section facilitates the creation of custom paths that determine the trajectory of a playhead over time. This playhead travels across a user-definable path that corresponds with the outputs of the samplers which are smoothly morphed using a bilinear interpolation algorithm. Palindrome also features 8 user-definable multi-breakpoint modulation envelopes to facilitate the creation of intricate modulation shapes. With its 4 granular samplers, morph-plotting system, 8 multi-breakpoint modulation envelopes, dual effects processors per sampler, shape presets, 4-note polyphony, deep randomization system, global reverb, 1.4GB sample library and numerous factory presets, Palindrome brings sound designers a powerful new sound sculpting tool.
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The Glitchmachines Team www.glitchmachines.com
New pitch-correction software features redesigned interface, ARA support
Santa Cruz, CA— April 24, 2018
— Antares Technologies, the global leader in professional vocal
processing tools, is thrilled to announce that Auto-Tune Pro is now
available. This new, most advanced version of the industry-standard
pitch-correction software, can be purchased at antarestech.com and at authorized dealers worldwide.
For two decades, Auto-Tune has remained the industry standard for
natural, real-time pitch correction and vocal effects. With Auto-Tune
Pro, Antares has incorporated its most advanced engineering innovations
along with feedback from the user community to develop a flagship
application aimed at raising the bar for music production, in the studio
and onstage.
Auto-Tune Pro features a sleek, intuitive interface that has been
redesigned from the ground up for streamlined workflow, offering new
modes optimized to help users work smarter and faster, whether they’re
novices or seasoned pros. The update adds ARA (Audio Random Access)
support and incorporates user-requested features such as Classic Mode
for creating the legendary Auto-Tune 5 sound.
New Features in Auto-Tune Pro:
New Interface Modes Auto-Tune Pro’s interface has been
completely redesigned for ease of use and efficient workflow. A new
Automatic mode lets users select Basic View, which provides a simplified
work environment pared down to Auto-Tune’s four most-used functions; or
Advanced view, which offers comprehensive controls.
Classic Mode Back by popular request, the iconic
Auto-Tune 5 DSP algorithm is built into AutoTune Pro’s Classic Mode, for
users who want to create that legendary Auto-Tune 5 sound.
Automatic Key Detection Auto-Tune Pro’s included
Auto-Key plug-in automatically detects music key and scale and sends
those parameters to one or more instances of Auto-Tune Pro
automatically.
Audio Random Access Support for Compatible VST3 DAWs ARA
technology allows closer integration and exchange of information
between audio plug-ins and host applications (digital audio
workstations). Users can now edit in Auto-Tune Pro’s Graph Mode without
first playing through the selection to track the audio into Auto-Tune.
Improved Graphical Mode Auto-Tune Pro’s Graphical Mode
interface has been redesigned from the ground up, incorporating a larger
Main Graph, greater zoom resolution, programmable zoom presets, and
reconfigured controls that optimize workflow efficiency.
HiDPISupport Auto-Tune Pro offers complete support for Retina and other high-resolution screen displays.
MIDI CC Control of Parameters In Automatic Mode, use a
MIDI controller to make real-time adjustments to Auto-Tune parameters
such as Retune Speed, Flex-Tune, Humanize, Throat Length, and Vibrato
functions. Assign parameters to MIDI device controls to perform dramatic
effects in real time, on stage or in the studio.
Redesigned Settings Menu Auto-Tune Pro’s updated
Settings menu, featuring a new Preferences dialog, provides new options
for customizing Auto-Tune’s behavior and appearance.
Auto-Tune Pro is available for $399; customers who purchased Auto-Tune 8
on or after January 1, 2018 will receive a free upgrade to Auto-Tune
Pro. Users of any previous version can upgrade for $129. For more
information, visit www.antarestech.com.
Legendary Japanese rock group X JAPAN made a triumphant return to the Coachella Music & Arts Festival this past weekend (Saturday, April 21). As one of only a few rock artists performing at the festival, X JAPAN’spowerful rock performance and elaborate production thrilled the Coachella crowd with a rousing hard rock concert, pyrotechnics and special effects that delivered both surprises and guest stars. Mid set, YOSHIKI of X Japan welcomed Marilyn Manson on stage to perform “Sweet Dreams (Are Made of This)” which the Los Angeles Times described as “…a haunting rendition” (4/22/18) of the Eurythmics’ classic. Guitarists Wes Borland (Limp Bizkit)and Richard Fortus (Guns N’ Roses)returned for Weekend Two along with holograms of X JAPAN’s two deceased members, Hide and Taiji. View the full X JAPAN set list, as well as critical soundbites from the show and more below.
“It was such an honor to be part of this amazing festival, playing with so many great artists,” says YOSHIKI of X JAPAN.
“Because of our time slot, I was sad I couldn’t see Beyoncé’s show, but
at the same time I was shocked so many people showed up to support us.
The mosh pits surprised me, too--the audience’s energy was unbelievable.
There were so many rock fans onsite, let’s bring back rock to the
mainstream, rock’s not dead. Thank you to our fans and Coachella from
the bottom of my heart.”
Watch video of YOSHIKI’s performance with Marilyn Manson on Instagram HERE.
Marilyn Manson and YOSHIKI of X JAPAN perform at Coachella.
X JAPAN’s second Coachella performance capped off a frenzied media week which included a sold-out GRAMMY Museumevent for the band’s award-winning documentary film WE ARE X (available on Hulu and iTunes) as well as YOSHIKI’s appearance with Steve Jones of the Sex Pistols on his show, “Jonesy’s Jukebox,” among others. Watch YOSHIKI’s interview with Steve JonesHERE.
X JAPAN-the most successful rock group in Japanese history-has sold over 30 million albums, singles and videos combined, and has sold out Japan’s 55,000-seat Tokyo dome a record 18 times captivating a wide range of admirers as Sir George Martin, KISS, Stan Lee, and the Japanese Emperor—all while pioneering a spectacle-driven style of fashion andvisual rock called Visual Kei, a one-of-a-kind cultural phenomenon.
X JAPAN, led by composer, drummer, and pianist YOSHIKI, PATA (guitar), HEATH (bass), TOSHI (vocals) and SUGIZO (violin, guitar) are currently in the studio in Los Angeles completing their first full-length album in over 22 years, set for release in 2018.
During the week of April 4-8, the breathtaking 21-mile-long Caribbean island of Barbados experienced something completely new—the house and techno driven Vujaday Music Festival.
Taking place across six picturesque venues situated all over the
island, the weeklong dance marathon amassed over a thousand attendees
during year one. Being a culture that is better known for its soca,
calypso and reggae music, icons of the house and techno underground
converged on the tiny island and established a new subculture that was
beloved by locals and visitors alike.
The festival kicked off on April 4th at the picturesque beachside venue Pirate’s Cove where festival-goers worked out their calves while dancing in the sand. The event included a wild B2B set from Latmun and Solardo, who warmed up the crown in advance of Dirtybird favorite Justin Martin, Chicago house and techno legend Green Velvet and Toronto resident and Hot Creations signee Nathan Barato.
The energy escalated into day two as attendees spent the festival at the resplendent Bellevue Plantation Estate.
Built in 1735, the verdant 100-acre property was one of the first
plantations on the island and has since become an ideal location for
weddings, yoga retreats, polo matches and now—music festivals. Complete
with pool and bougainvillea, coconut, and mahogany trees, you may even
catch a glimpse of wild monkeys bouncing in the canopy. Bellevue
experienced a Crew Love takeover that included The Fitness & Pony, Nick Monaco, Wolf + Lamb, Lonely C (Soul Clap) and more.
Day three took attendees back to the sand at the Copacabana, along with an exclusive VIP party at Nikki Beach Barbados earlier in the day. Copacabana saw acts such as the inimitable Lee Reynolds and Mikey Lion of Desert Hearts, Vienna based DJ Cassy, the legendary Mark Knight, and 3D (Dave Seaman, Darren Emerson, Danny Howells) closing out the night together.
Bellevue Plantation felt hard to top until arriving at Cornwall House
for day four as picturesque vistas of sea and jungle made for a
stunning backdrop to the festival. The day offered another solid set of
house, techno and disco artists such as Lauren Lane, YokoO, Nitin, Lee Foss, and Behrouz. The night finished with a sherbet sunrise which bleary-eyed onlookers enjoyed from the bluff.
The final day returned to Copacabana and closed
out the weekend with an onslaught of pulse-quickening sets. Providing
attendees with their final dose of house music before resuming their
regular lives was San Francisco based house DJ atish, Italian sensation Francesca Lombardo, All Day I Dream founder Lee Burridge, a crowd-pleasing concluding set from DJ Tennis and more.
Additional venues include Bellevue Plantation,
which was built in 1735 and features spacious grounds, a large swimming
pool, a beautiful bar area, and lush gardens surrounding the property.
Finally we have Copacabana, which features beach chairs, umbrellas, kayaks, a stage on the beach, and an epic dance floor.
Vujaday Music Festival would like to thank everyone who
made it out to Barbados for the inaugural adventure. Keep your eyes
peeled for more news from the Vujaday team as they continue to grow and plan for future events. Rest assured, they are only just getting started.
Vujaday would like to thank their sponsors on the
festival: BTMI, Sun Group Inc, Bryden Stokes (Grey Goose, SKYY,
Dewar's), Mount Gay Distilleries / Remy Cointreau (Mount Gay, Remy
Martin, Luc Belaire), Banks Breweries (Banks Beer), and Island Ice
Limited.
Vujaday also sends a big shout out to Permanent Vacation,
Dr, Linhart, BN3TH, PKG Shop, and Valia Gabriel for the amazing gifts
they provided to guests and artists that performed at the festival.
After celebrating a historic two decades last year, Shambhala Music Festival is excited to return to the pristine Salmo River Ranch in British Columbia, Canada on August 10-13, 2018 for the 21st annual edition. Taking place on a breathtaking family-run farm,
festival goers will have the chance to experience the best of what
nature has to offer throughout four blissful days, while witnessing
hundreds of world-class artists across six unique stages that are
individually curated and run by their own stage directors. After
announcing their headliner lineup, Shambhala has now revealed their full
stage lineups.
The Pagoda Stage will showcase a diverse array of
electronic music ranging from the bounciest house to the grimiest
dubstep. The lineup includes big name dance artists including Adventure Club, REZZ, Destructo, Justin Martin, Claude VonStroke, Malaa, Claptone, KOAN Sound and more.
At The Village Stage, attendees can get down and dirty to
the sounds of drum ‘n’ bass, jungle, dubstep, grime, and bass, among
other genres. The lineup consists of new and returning artists such as DC Breaks, Perkulat0r, ill.Gates, Stylust Beats, Truth, Dirt Monkey, Shlump, the first ever set in Canada from legendary UK rapper Dizzee Rascal and a DJ set by headliners The Glitch Mob.
Bringing together a veritable smorgasbord of musical flavors is The Grove, who will be celebrating their fifth year at Shambhala. Grammy award-winning brass, synth, and drum driven duo Basstracks are decorating the lineup along with bass music darlings CharlestheFirst, Goopsteppa, Edamame, and The Librarian. UK grime and dubstep artists will also be represented by D Double E, Kahn & Neek, J:KENZO, and the return of SYNKRO. Influential hip-hop producer Clams Casino will be adding to the vibe as Congi, Geode and Jafu team up for a three-hour takeover of soulful bass music for the Chord Marauders Label showcase, all blasted out of the inimitable Funktion-One Sound.
One of Shambhala’s most beloved attractions is the emerald Salmo River. The Living Room Stage
(also known as the beach stage) is the favoured daytime spot and
features all of the comforting accoutrements one might find in a living
room. The lineup features a mixture of electronic music, live bands, hip
hop, bass and world music—with artists such as Mark Farina, Dirtwire, Dimond Saints (Live), Jeremy Sole, El Buho, 29 Palms (Boreta & Ooah), Soohan, saQi, Random Rab, Nico Luminous, Everyman, and many more—gracing the stage.
The AMPhitheatre Stage will showcase some of the
most talented and experimental up-and-coming producers alongside some
legendary DJs of the electronic scene. Barclay Crenshaw, Liquid Stranger, Mr. Carmack, Space Jesus, and Tsuruda are among the bass producers to perform along with UK phenoms Roska and Joker. There will also be a specially curated “1985 Music Showcase” where Alix Perez, Skeptical, Chimpo and Monty will take patrons on an aural journey through the history of drum ‘n’ bass, grime and halftime.
Celebrating their 20th anniversary is the fabled Fractal Forest Stage,
which started in 1999 as a small stage in the forest built on an
old-growth tree stump. It is now revered as a world-class music venue
which will vibrate with the sounds of funk, breaks, glitch hop, dub,
house, drum ‘n’ bass, turntablism, hip hop, bass and any other genre
your imagination can conjure. Artists on the lineup include veteran
turntablists Mix Master Mike, A.Skillz and Z-Trip alongside Gramatik, Opiuo, Stanton Warriors, DJ Maseo (De La Soul), The Funk Hunters, Stickybuds, Fort Knox Five & QDup,Neon Steve, SkiiTour, Rich-e-Rich and more, along with the beloved annual Fractal Funk Jam on Sunday!
As if the lineup wasn’t enough to get you excited, Shambhala is pleased to kick off this year’s mix series with Colorado-based bass artist Dirt Monkey. His exclusive Shambhala 2018 Mix can be found here
and is jam-packed with enough bouncy bass music to keep you hyped for
weeks. Stay tuned for more official Shambhala 2018 mixes to come! A
playlist for each stage can also be found on Shambhala’s Spotify.
Shambhala began in 1998 as a grassroots gathering of 500 people on founder Jimmy Bundschuh’s family farm in an evergreen forest
beneath breathtaking mountains and has since grown overtime primarily
by word-of-mouth thanks to past guests and artists. Shambhala’s home has
continued to evolve over the past two decades with a focus on
infrastructure that ensures a healthy and sustainable environment.
Don’t miss out, tickets are almost gone. Purchase your #Shambhala2018 tickets here. Glamping packages are offered with ShambhaLodging,
in addition to some other accommodation packages for those travelling
from afar who are looking for comfort and convenience. Carpool options
and additional travel information is available on the Shambhala website.
TEL
AVIV, Israel — April 16, 2018 — Morel, designers of handcrafted,
award-winning speakers and audio drivers, announced the release of the
Nomadic Audio Speakase, a portable Bluetooth speaker and travel carry-on
hybrid that transforms the suitcase’s interior volume into a
large-scale hi-fi speaker. Its cutting-edge design won a 2018 Consumer
Electronics Show (CES) innovation award. Combining the latest transducer
and acoustic engineering with innovative industrial design, the
Speakase offers a rich and dynamic sonic experience coupled with deep
quality bass sound.
Most music aficionados understand that to get accurate, rich, full-range
sound, they’ll need a pair of large, high-end bookshelf or floor-stand
speakers. Now, with Morel’s Nomadic Audio Speakase, consumers get an
industry-leading portable Bluetooth speaker, as well as a unique hi-fi
speaker capable of playing music at full sonic energy anywhere they are:
indoors, outdoors, home, office and while travelling on the go.
“Similar to large scale speakers, the Nomadic Audio Speakase consists of
an enclosure, which is the trolley suitcase, and the Nomadic Bluetooth
speaker that is an individual portable device,” said Oren Mordechai,
Morel’s CEO and head of R&D. “But, once inserted in the Speakase
trolley slot, it acts as a powerful hi-fi audio driver.”
The speaker features aptX HD audio, which ensures that a Bluetooth
device delivers High Definition (HD) audio. It preserves sound data
through the audio transmission, resulting in a better-than-CD listening
experience.
Most speakers are built large for a reason: rich sound requires space.
It’s something that’s been sacrificed with modern portable speakers. But
with Nomadic Audio’s patent-pending technology, the Bluetooth speaker
can be used with or without the Speakase, where sound becomes much
bigger and better. The Speakase boosts the sound and frequencies of
vibration, playing louder bass, richer trebles, and just an all-around
incredible sound. It’s the science and acoustics of big brand luxury
speakers paired with innovation for the modern music lover and
jet-setting traveler.
Morel broke away from the traditional portable speaker design and
developed a small sized stereo box-less Bluetooth speaker. It consists
of two custom 6” x 4” woofers and two 19mm tweeters residing on the same
axis, and playing in dipole, open-baffle mode. When playing in free
air, an open-baffle configuration delivers a natural 3D sonic experience
with a true emotional thrill. Unlike in other Bluetooth devices, the
driver’s membranes utilize almost 80% of the Bluetooth device front and
back surface, providing genuine full body sonic energy, deep bass and a
lifelike performance.
The Speakase travel carry-on is water-resistant, rigid and lightweight,
comparable to the most popular suitcase brands on the market. Comprised
of a durable polycarbonate shell with an aluminum-sealed reinforced
frame, it is shock absorbent, protecting the speakers, the case, and the
traveler’s belongings. Surprisingly, when inserted in its slot, the
Bluetooth speaker occupies only 4% of the trolley’s inner volume,
leaving 96% inner space for personal belongings and booming sound.
Morel is taking pre-orders for the Nomadic Audio Speakase with prices
starting at $399 at http://kck.st/2Ds0E0O. The expected ship date is
August 2018.
For more info, visit www.nomadic.audio or
www.morelhifi.com. Nomadic Audio Speakase Specs:
Dimensions: 56cm x 36 cm x 25.5 cm
Weight: 3.95kg + 1kg = 4.95 kg (10.9 lbs)
Effective Frequency Range: 35Hz - 20,000Hz
Battery: 2200 mha up to 20 hrs (TSA standard)
Magnets: Super light hi-power condensed neodymium magnets
Power Amplifiers: 2 x 30 watts
Drivers: Woofers 6”x 4” (two); Tweeters 0.9” (two)
Wireless Connection: BT4.2 APTX + TWS
